#anyway WAILS
Explore tagged Tumblr posts
llithiumstars · 1 month ago
Text
Tumblr media
with grace in your heart and flowers in your hair
182 notes · View notes
dovewingkinnie · 4 months ago
Text
Tumblr media
what if she abstracts because of caine
4K notes · View notes
emahriel · 4 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
CASTLEVANIA: NOCTURNE SEASON 2 DATE ANNOUNCEMENT
871 notes · View notes
jamesfagjames · 14 days ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
323 notes · View notes
canadianno-gravityfalls · 2 months ago
Text
I KNOW someone else has done this before and I cannot find that post for the life of me
Tumblr media
This art is like a month old or something by now </3
298 notes · View notes
consultingfujoshi · 5 days ago
Text
some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:
Tumblr media Tumblr media
it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.
irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.
and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.
but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.
he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.
and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.
it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it
252 notes · View notes
otome-dissection · 1 month ago
Text
Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.
It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).
It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.
(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).
It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).
It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.
It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.
It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.
She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)
Tumblr media
It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.
It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.
Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.
On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)
Tumblr media
183 notes · View notes
sparring-spirals · 9 months ago
Text
Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.
Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.
So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).
and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.
and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.
If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.
There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.
And Fy'ra Rai said: no.
I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.
Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.
And in some, sideways way, this saves you both, at least for a little while.
Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.
And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.
This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.
Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?
524 notes · View notes
nofacednerd · 2 years ago
Text
Tumblr media Tumblr media Tumblr media
more of that bfu mawsm au also a closeup of that cat, specifically:
Tumblr media
2K notes · View notes
kernsing · 4 months ago
Text
never over the fact that han yoohyun remains also a victim of child neglect/abandonment/having adult responsibilities foisted upon him too young even as he grows up under yoojin’s care. it’s not yoojin’s fault, he did his best and he did good raising yoohyun but. you’re not supposed to be able to hurt your parent, you’re not supposed to learn how to manage your parent’s emotions/wellbeing/public image, you’re not supposed to have to fear for their physical safety and desperately try to figure out a way to protect them, you’re not supposed to be capable of real cruelty toward them, not supposed to be able to fuck up their life. but your parent is your brother who is only five years older than you, and suddenly the new and dangerous world demands you (you who are new and dangerous too) in its spotlight, and you are just a child and he was just a child. the world is so wholly unjust to both of them and i will never fault either for how their relationship was in shambles for three/eight years, even when han yoohyun makes his terrible decisions with terrible consequences, paving the road to hell. you’re not supposed to be able to hurt your parent like that. you’re not supposed to be a brother that he needs to rely on, just as much as you rely on him, both of you abandoned.
haven’t even mentioned yet how you’re not really human you don’t understand humans you try your best for your brother but you Don’t Get It, how and why society works and the full emotional harm its hatred can wreak. you might see it but you don’t get it like physical danger and there is so much of that latter danger in the world now. you might see him and keep tabs on him but you don’t get your brother, that he needs you like you need him because of the very fact that you need him and children realizing their parents are complete emotional beings is not something that should happen before you learn to stand on your own. and learning to stand on your own, paradoxically and inevitably, takes much longer when you are forced to grow up too fast. you are forced to mature too early and so you are immature in ways invisible. so many flavors of terrible responsibilities foisted upon them that no one should ever bear (raising a child while you are a child/the world is on fire and so are you/your parent also needs you to bear your shared emotional burden).
it’s so unfair. i’m bundling them both up in a blanket. han yoojin’s childhood was stolen away so he could give this simulacrum of a childhood to his brother but the world is terrible and yoojin is just a child too and it’s not possible it’s not his fault that the wonderful beautiful childhood he built is not, cannot be the bulwark in the face of brutal reality, that delicate childhood shaped by hands still so small too.
232 notes · View notes
micamicster · 3 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"I'm... I'm here to tell you..." To tell him what? That it's fine? That I don't hate you? That everything is fine? That I don't blame you for having killed Jin ZiXuan? It was impossible. But she couldn't say anything that was the opposite either. And so, she didn't know what else she could say to Wei Wei WuXian, under such circumstances. It was just that she felt like she had to see this brother of hers once more. / "You ran so fast, I could hardly get a look at you."
The Untamed vs Leonard Cohen's Famous Blue Raincoat
195 notes · View notes
aloeverified · 2 years ago
Text
Tumblr media Tumblr media Tumblr media
even miles draws her with the trans pride colors like it's not even funny at this point
3K notes · View notes
intotheelliwoods · 6 months ago
Note
Do you think Donnie would make a prosthetic for when uh Toast exists? :0 (hope I’m remembering names eudgdjdg)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
No prosthetic for Toast, alas 😔
Slightly related, the port does work and Sprouts old arm can attach on though! Its just not the right size by any means haha!
353 notes · View notes
turbineface · 8 days ago
Text
Tumblr media Tumblr media
de whens the freak update coming to freakframe i’m shaking in my boots
102 notes · View notes
introspectivememories · 11 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
295 notes · View notes
consultingfujoshi · 5 days ago
Text
on love transcending severance wrt irving and burt: I know we all want their outies to fall in love to prove that their innies love was real and valid but. I genuinely believe a possibility is that even if their outie versions DON'T fall in love, they become friends enough that burt returns to the severance floor even just one more time so that their innies get to see each other again.
like we've seen plenty of evidence that 1) irving is more directly connected to his innie than the average severed person (seems to have memories of the severance floor, his innie dreams of the paint he uses, his innie knows how to drive despite never seeing a car before) and 2) burt seems to have a deep level of respect and empathy for his innie and the other severed employees and acknowledges that those connections are very real and a part of him even if he doesn't remember who any of then are. if their outies find out they were in love in another universe, I can totally see them working together to allow their innies to see each other again. if there's any two characters out of all the ones we've been introduced that are going to act in their innies' interests, it's irving and burt.
I DON'T believe that 5 months have passed like milchick says, but irving is gonna have to explain why he showed up unannounced on burt's doorstep like that. outie irving is clearly working on something behind the scenes - perhaps he's even been waiting for his innie to break out like this - and he's insightful and curious enough (his innie immediately formulating a plan to find burt and executing it to perfection, clocking helly's lies straight away, painting a million copies of the same image because he's so determined to not forget it, compiling a list of every severed employee he can find) to put two and two together and realise this is clearly someone very important to his innie, someone whom his innie believes he can trust and chose to go to out of anyone he could have chosen on that map...
outie irv is definitely going to try to forge a connection with outie burt even if he doesn't understand the finer details of why his innie was drawn to him. if he really is planning some kind of severed revolution on the outside, and I'm inclined to believe he is given the little evidence we've been shown so far, this guy is a great place to start. I believe they're probably already friends by the time innie irv has woken back up on the severance floor. he doesn't know it, but his own outie believes in transcending severance. he doesn't know it, but burt is still looking out for him up there.
just hang on a little longer, irv..... I promise you'll get to see him again!!!
132 notes · View notes